Mathis Nour is a French dance artist, performance curator, and cultural leader working at the intersection of choreography, visual arts, and cultural policy. He is currently a dancer with the Ballet of the Opéra national du Rhin and the founder and General & Artistic Director of ACEAC – Association for Creation and Emergence in Choreographic […]
A unique site in the service of dance As a public establishment, founded thanks to the initiative of the Ministry of Culture, the CN D brings together all of the resources aimed at the sector of choreography and its publics. It accompanies and trains professional dancers, enhances amateur practice, assists research, conserves and distributes choreographic heritage, […]
Directeur Général et Financier, Paul Sagne, en poste depuis 2005, possède une connaissance approfondie de l’École des Sables et de son organisation. Il y a successivement été assistant administratif et technique, trésorier, chargé de logistique, coordinateur de projets, responsable du personnel, directeur administratif et présentement directeur général. Doctorant en Administration des Affaires, spécialisé dans les […]
Transmitting and bringing the repertoire to life through creation, promoting tradition while taking part in innovation: this is the ambition of the CNSMD Lyon. The CNSMD Lyon is an institution in continuous motion that has been creating a dialogue between the avant-garde, openness and trans-disciplinarity for more than 40 years with the values of excellence, […]
Administrative manager – Les SUBS Lyon Association member for 2 dance companies : Corps au Bord – Natacha Paquigon https://www.natachapaquignon.com/la-compagnie L’Atelier L – Elodie Lefebvre In a remarkable heritage site on the banks of the Saône in Lyon, Les SUBS are both a working space for artists and a place where everyone can live and […]
During the composition of this Forum we interviewed students and artistic coordinators from the IMPACT consortium. Interview of Patrick Acogny, teacher, dancer and researcher by Libby Ward
Lokomotiva – Centre for New Initiative in Arts and Culture is a small non-profit organization founded in 2003 in Skopje, North Macedonia. It has the role of a multi-purpose platform for education, reflection, research, discussions, production and critical thinking in the field of contemporary arts and culture. Through its activities, Lokomotiva aims to widen the […]
Voetvolk (Dutch for ‘infantry’) is a Belgian contemporary dance and performance company, founded in 2007 by dancer/choreographer Lisbeth Gruwez and musician/composer Maarten Van Cauwenberghe. Together they’ve created more than 10 productions, for example: It’s going to get worse and worse and worse, my friend (2012), AH/HA (2014), Lisbeth Gruwez dances Bob Dylan (2015), We’re pretty fuckin’ far from okay (2016), The Sea Within (2018), Piano Works […]
Rosas is the company of the choreographer and dancer Anne Teresa De Keersmaeker. Concurrently with the creation of new pieces, Rosas continues to perform and teach the existing repertoire, which now spans a period of 30 years. In this way the company’s own artistic past continues to be passed on to new generations of dancers […]
Trajal Harrell gained international recognition for creating a series of works that bring together the tradition of voguing with early postmodern dance. He is considered to be one of the most important choreographers working in contemporary dance today. In his latest work, the artist also combines theoretical and formal ideas from butoh dance, and […]
Ultima Vez is the dynamic house for contemporary dance in Sint-Jans-Molenbeek (Brussels) founded by choreographer Wim Vandekeybus. A place where production and distribution take place in optimal conditions and where creators share their artistic practices with each other and with a wide audience. The work includes the artistic creations of Wim Vandekeybus, the framework around […]
Anne-Lise Brevers Kuhn (BE/USA) is a dancer, researcher and choreographer. Trained in classical ballet by Menia Martinez, she obtained a master in dance at Royal Conservatoire Antwerp, her master’s project receiving the PlayRight Prize. She worked as a freelance dancer for several choreographers before meeting Cindy Van Acker in 2010 while dancing in Romeo Castellucci’s […]