Natalia Smirnova examines the history and impact of the Ballets Russes, a seminal ballet company that revolutionized dance and ballet in the early 20th century.

Huxley and Burt examine the interplay between dance, modernism, and modernity, analyzing how dance has evolved and contributed to modernist thought and contemporary cultural expressions.

Mark Franko explores the relationship between modernist dance and political performance, highlighting how dance has been used as a medium for political expression and social commentary.

Susan Manning investigates the intersections of race and dance, particularly focusing on modern dance and its relationship with African American cultural expressions and racial identity.