Axelle Locatelli investigates the Laban movement choirs in Germany from 1923 to 1936, focusing on the interplay between bodily practices and creative gestures in this historical dance context.

Isabelle Launay discusses the cultures of forgetting and citation in dance, exploring how memory and reference shape the evolution and perception of dance practices.

Sophie Gelinier explores the work of Francine Lancelot, focusing on the interplay between popular dance, scholarly dance, and Baroque music, and how these elements are expressed through dance notation.

Doris Humphrey’s classic work delves into the art and principles of choreography, offering insights into the creative process and the craft of making dances.

Huxley and Burt examine the interplay between dance, modernism, and modernity, analyzing how dance has evolved and contributed to modernist thought and contemporary cultural expressions.

Mark Franko explores the relationship between modernist dance and political performance, highlighting how dance has been used as a medium for political expression and social commentary.

Susan Manning investigates the intersections of race and dance, particularly focusing on modern dance and its relationship with African American cultural expressions and racial identity.

Susan Au offers a comprehensive overview of ballet and modern dance, tracing their historical development, key movements, and influential choreographers and dancers.

Dana Mills investigates the relationship between dance and politics, focusing on how dance transcends boundaries and contributes to political discourse and social change.