Category: Uncategorized

Banes, Sally. 2001. “Choreographic methods of the Judson dance theater.” Moving History/Dancing Cultures: A Dance History Reader. 350-361.

Sally Banes examines the innovative choreographic methods developed by the Judson Dance Theater, highlighting their impact on modern dance and performance art.

Butterworth, Jo, and Liesbeth Wildschut. Contemporary choreography. Taylor & Francis, 2012.

This book provides an in-depth exploration of contemporary choreography, discussing its evolution, key figures, and the innovative practices that define this dynamic field of dance.

Kwan, SanSan. 2017. “When is contemporary dance?.” Dance Research Journal 49.3. 38-52.

SanSan Kwan examines the temporal and contextual boundaries of contemporary dance, questioning when and how dance practices are classified as contemporary within historical and cultural frameworks.

Au, Susan. 2002. Ballet and Modern Dance (World of Art). Thames & Hudson.

Susan Au offers a comprehensive overview of ballet and modern dance, tracing their historical development, key movements, and influential choreographers and dancers.

Vatsyayan, Kapila. 2022. Classical Indian Dance: in Literature and the Arts. DK Printworld (P) Ltd.

Kapila Vatsyayan explores the rich tradition of classical Indian dance, analyzing its representation in literature and the arts, and its cultural and spiritual significance.

Cvejic, Bojana. 2016. Choreographing Problems: Expressive concepts in contemporary dance and performance. Springer.

Bojana Cvejic examines the conceptual frameworks in contemporary dance and performance, focusing on how choreographers address and express complex ideas and problems through movement and performance.

Schwan, Alexander. 2023. “Responsive Bodies: Towards an Ethics of Contemporary Dance.” Performance Philosophy 8.2: 120-125.

Alexander Schwan discusses the ethical dimensions of contemporary dance, focusing on the concept of responsive bodies and the implications for performance and audience engagement.

Berlíner, Brett A. 2002. Ambivalent Desire: The Exotic Black Other in Jazz Age France. Amherst: University of Massachusetts Press.

Brett A. Berlíner explores the representation and perception of the exotic Black Other in Jazz Age France, analyzing the cultural and social dynamics of desire and otherness during this period.

Dixon-Gottschild, Brenda. 2003. The Black Dancing Body: a Geography from Coon to Cool. New York: Palgrave Macmillan.

Brenda Dixon-Gottschild traces the evolution of the Black dancing body in American culture, from stereotypical representations to the emergence of cool aesthetics in dance.

Artistic Research in Dance

The Artistic Research Foundation aims to be a platform for experimental artistic research and artistic production in a broad and ambitious sense, yet on a decidedly small and intimate scale. We are positioned on the outskirts of Amsterdam’s established artistic centre, geographically as well as conceptually, where we explore untrodden paths and autonomous quests into […]

European Dance Development Network

EDN organises networking events, conferences, forums and sector consultations. These online and onsite events connect initiatives and form alliances between sector stakeholders. EDN facilitates a capacity-building programme for organisations, artists, and other dance development professionals. Ateliers and the Staff Exchange are organised and hosted by the EDN member organisations to share knowledge, connect initiatives, co-research, pilot […]

Society for Artistic Research

SAR promotes practices of artistic research as undertaken both in and outside academic institutions. We facilitate co-operation and communication through conferences and meetings, and disseminate knowledge on artistic research practices and results. We encourage risk-taking, quality research. SAR publishes the Journal for Artistic Research (JAR), an online, open access and peer-reviewed journal for the identification, […]