This edited volume explores the role of women and feminist networks in the transmission and mediation of the arts, offering a historical perspective on their contributions and influence.

This edited volume explores the connections between dance and politics, highlighting struggles, corporeality, and performativity as key themes in understanding dance’s political dimensions.

Sylvia Faure provides a historical sociology of the choreographic field, examining the relationships between the body, knowledge, and power within the context of dance.

This book captures a conversation between Maguy Marin and Olivier Neveux, delving into the essence of contemporary dance and performance, exploring themes of artistic expression and societal impact.

Huxley and Burt examine the interplay between dance, modernism, and modernity, analyzing how dance has evolved and contributed to modernist thought and contemporary cultural expressions.

Mark Franko explores the relationship between modernist dance and political performance, highlighting how dance has been used as a medium for political expression and social commentary.

Susan Manning investigates the intersections of race and dance, particularly focusing on modern dance and its relationship with African American cultural expressions and racial identity.

Sherril Dodds explores the concept of value and embodiment in popular dance, analyzing how different dance forms are perceived and valued within cultural and social contexts.

This edited volume provides a comprehensive overview of methodologies in dance research, focusing on ethical considerations, research orientations, and practical approaches in the field.

The book explores the intersection of artistic and scientific research in dance, offering various perspectives on how knowledge is generated and disseminated through dance practices.