Rudi Laermans provides a theoretical and practical exploration of contemporary dance, discussing how collective movement and collaboration contribute to the creation and experience of dance.

Simon Hecquet and Sabine Prokhoris examine the “fabrics” or making of dance, likely discussing the processes, institutions, and cultural contexts that shape dance creation and performance.

This edited volume delves into the practices of thought in dance, particularly through the lens of dance workshops, exploring how dance serves as a medium for intellectual and creative exploration.

This edited volume provides a philosophical approach to the danced gesture, exploring the spectrum from improvisation to performance and the underlying concepts and theories.

Hélène Marquié challenges the stereotype that dance is solely a feminine activity, providing an essay on gender in dance that addresses the complexities and misconceptions surrounding gender roles in the dance world.

This edited volume explores the remarkable and diverse practices of amateur dancers in contemporary dance, highlighting the unique contributions and experiences of non-professional dancers in the field.

Annelies Van Assche examines the intersection of labor and aesthetics in European contemporary dance, highlighting the precarious conditions faced by dancers and the artistic responses to these challenges.