Axelle Locatelli investigates the Laban movement choirs in Germany from 1923 to 1936, focusing on the interplay between bodily practices and creative gestures in this historical dance context.

Isabelle Launay discusses the cultures of forgetting and citation in dance, exploring how memory and reference shape the evolution and perception of dance practices.

Sophie Gelinier explores the work of Francine Lancelot, focusing on the interplay between popular dance, scholarly dance, and Baroque music, and how these elements are expressed through dance notation.

Doris Humphrey’s classic work delves into the art and principles of choreography, offering insights into the creative process and the craft of making dances.

This edited volume provides a philosophical approach to the danced gesture, exploring the spectrum from improvisation to performance and the underlying concepts and theories.

Natalia Smirnova examines the history and impact of the Ballets Russes, a seminal ballet company that revolutionized dance and ballet in the early 20th century.

Ivor Guest provides a historical account of the Paris Opera Ballet, tracing its three centuries of history and tradition, and its significant contributions to the world of ballet.

This edited volume delves into the practices of thought in dance, particularly through the lens of dance workshops, exploring how dance serves as a medium for intellectual and creative exploration.

Simon Hecquet and Sabine Prokhoris examine the “fabrics” or making of dance, likely discussing the processes, institutions, and cultural contexts that shape dance creation and performance.

Rudi Laermans provides a theoretical and practical exploration of contemporary dance, discussing how collective movement and collaboration contribute to the creation and experience of dance.

The editors explore the influence of gender in art criticism, discussing how gender perspectives inform and transform the analysis and evaluation of art.