This edited volume delves into the practices of thought in dance, particularly through the lens of dance workshops, exploring how dance serves as a medium for intellectual and creative exploration.

Simon Hecquet and Sabine Prokhoris examine the “fabrics” or making of dance, likely discussing the processes, institutions, and cultural contexts that shape dance creation and performance.

Rudi Laermans provides a theoretical and practical exploration of contemporary dance, discussing how collective movement and collaboration contribute to the creation and experience of dance.

V. Y. Mudimbe critically examines the historical and philosophical constructions of Africa, exploring how knowledge and perceptions of Africa have been shaped by Western thought and colonial discourses.

Hélène Neveu Kringelbach explores the role of dance circles in urban Senegal, focusing on how movement and dance contribute to moral values and self-fashioning within the community.

Kariamu Welsh provides an overview of African dance, discussing its cultural significance, diverse styles, and the role it plays in expressing identity and community within African societies.

Altaïr Despres examines how African dancers navigate and adapt to the challenges of cultural globalization, focusing on their efforts to establish themselves within contemporary global dance contexts.

This edited volume presents current research on music and dance in Eastern Africa, exploring their cultural, social, and historical dimensions within the region.

This edited volume explores various forms of social and popular dance, offering a comprehensive reader that delves into the cultural and historical significance of dance styles such as ballroom, boogie, and more.

Annelies Van Assche examines the intersection of labor and aesthetics in European contemporary dance, highlighting the precarious conditions faced by dancers and the artistic responses to these challenges.

This edited volume explores the remarkable and diverse practices of amateur dancers in contemporary dance, highlighting the unique contributions and experiences of non-professional dancers in the field.

Jean-Philippe Bayle challenges the notion that suffering is an inevitable part of learning and practicing dance, advocating for a more compassionate and sustainable approach to dance education and performance.