Susan Manning investigates the intersections of race and dance, particularly focusing on modern dance and its relationship with African American cultural expressions and racial identity.

Sherril Dodds explores the concept of value and embodiment in popular dance, analyzing how different dance forms are perceived and valued within cultural and social contexts.

This edited volume provides a comprehensive overview of methodologies in dance research, focusing on ethical considerations, research orientations, and practical approaches in the field.

Sally Banes examines the innovative choreographic methods developed by the Judson Dance Theater, highlighting their impact on modern dance and performance art.

Brenda Dixon-Gottschild traces the evolution of the Black dancing body in American culture, from stereotypical representations to the emergence of cool aesthetics in dance.

Brett A. Berlíner explores the representation and perception of the exotic Black Other in Jazz Age France, analyzing the cultural and social dynamics of desire and otherness during this period.

The book explores the intersection of artistic and scientific research in dance, offering various perspectives on how knowledge is generated and disseminated through dance practices.

Bojana Cvejic examines the conceptual frameworks in contemporary dance and performance, focusing on how choreographers address and express complex ideas and problems through movement and performance.

Kapila Vatsyayan explores the rich tradition of classical Indian dance, analyzing its representation in literature and the arts, and its cultural and spiritual significance.