A Resources item provide tools, templates, and frameworks to support artistic research and practice. These online resources can assist artists and researchers in their creative processes and projects and contain websites, books, articles, journals, …
“The novel High Tide addresses the question of why we are so dependent on the past, even when it has turned us into someone else. In the beginning, they were two. They have no values, no horizontals or verticals, and have to create their own. They joke that if something bad happens, they’ll help each […]
Numeridanse est la première plateforme vidéo entièrement consacrée à la danse. Accessible librement et gratuitement, elle met à disposition un fonds unique de vidéos comprenant des spectacles filmés, des documentaires, des interviews, des masterclasses ainsi que des courts et longs métrages. Tous les genres, styles et formes de danse y sont représentés, offrant un panorama […]
Lokomotiva – Centre for New Initiative in Arts and Culture is a small non-profit organization founded in 2003 in Skopje, North Macedonia. It has the role of a multi-purpose platform for education, reflection, research, discussions, production and critical thinking in the field of contemporary arts and culture. Through its activities, Lokomotiva aims to widen the […]
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Axelle Locatelli investigates the Laban movement choirs in Germany from 1923 to 1936, focusing on the interplay between bodily practices and creative gestures in this historical dance context.
The editors explore the influence of gender in art criticism, discussing how gender perspectives inform and transform the analysis and evaluation of art.
This book examines gender norms within cultural institutions, exploring how these norms influence practices, policies, and representations in the cultural sector.
Hélène Marquié challenges the stereotype that dance is solely a feminine activity, providing an essay on gender in dance that addresses the complexities and misconceptions surrounding gender roles in the dance world.
Laura Fléty’s edited volume explores the relationship between dance and rituals, analyzing how dance functions within various ritualistic contexts and its cultural significance.
Isabelle Launay discusses the cultures of forgetting and citation in dance, exploring how memory and reference shape the evolution and perception of dance practices.
Sophie Gelinier explores the work of Francine Lancelot, focusing on the interplay between popular dance, scholarly dance, and Baroque music, and how these elements are expressed through dance notation.
Doris Humphrey’s classic work delves into the art and principles of choreography, offering insights into the creative process and the craft of making dances.